“You ask me what I think of so-called nature writing? I think the same thing about any beautiful writing [beautiful maps]. There is no time for it. There is time for only one thing: saving the earth. The world is being slaughtered and we need to stop it. At this point writing is beside the point: the only — and I mean only — thing that matters is to stop this culture from killing the planet. . . Everything — including beautiful writing [beautiful maps] — emerges from and is secondary to the land.”
Derrick Jensen as quoted in My Green Manifesto: Down the Charles River in Pursuit of a New Environmentalism by David Gessner.
In 1912, soon after our house was built just a few miles north, lower Miller Creek had settlers working in the valley and a schoolhouse. All this would change. Section 12 is outlined on the 1912 USGS 1:125000 map.
In 1955 lower Miller Creek was still mostly undeveloped, open field, range and habitat. . . Providing shelter for the other than human beings.
All that has changed in the ensuing years.
Miller Creek is For Sale :: $700,000 5 bedroom 4,642 sq. ft.
Edition #130 “Bearing Witness on Miller Creek” is a response to this place and this devastating loss of shelter for ‘other than human’ life; “the only — and I mean only — thing that matters is to stop this culture from killing the planet.”
The limited edition map uses six matrices; plate and stone lithography, relief and letterpress. The edition is intended for inclusion in Guerrilla Cartography’s upcoming Shelter Atlas.
Draft idea for the map uses a full sheet of Somerset Velvet 22 ½ by 30 inches with a 12 by 12 inch chine-collé on Section 12 at a mapping scale of 1:5280.
Stone matrix 4 responds to T12N R20E Section 12.
Katie hands us our weekly delivery from her farm in the Bitterroot.
Basil and eggplant starts and kale . . . en-route home.
The flowering time.
Trail run along the river trail then up the back side to the top of Mount Sentinel and down the face.
Then a good cappuccino from freshly ground Black Coffee beans.
AND sometime in the early morning along the river trail east of Missoula a rockfall. Tumbling down jagged raw rocks and trees onto the trail. The ancient seabed raised and falling, breathing.
The world is interwoven, rising & falling in her breath and always in motion, connected by desire. These events . . . YA) one great interconnected moment of breathing and desire.
It was a good day for working in the garden. A light rain and warm. I came back from the market with a bike full of tomato and pepper plants.
Everybody had a good time planting and making decisions.
It feels so good to be touching the wet and creative soil. That GardenWay cart in the back belonged to my mother back in 1970 and is still in use.
I’ve got some more work to do with finishing up the two raised beds.
SATOR AREPO (available as a two-colour letterpress print) is based on the oldest datable representation of the Sator Square, found in the ruins of Pompeii. Others have been found in excavations under the church of S. Maria Maggiore in Rome, at Corinium (modern Cirencester in England) and Dura-Europos (in modern Syria). . . One likely translation is "The farmer Arepo has [as] works wheels [a plough]"; that is, the farmer uses his plough as his form of work. Though not a significant sentence, it is grammatical; it can be read up and down, backwards and forwards."
Working in the gaden :: as the Sator Square would suggest we practice, caring for what we sow.
I don’t imagine that stones are idle. They’re always in motion like rivers and mountains. But these six stones have been shelved all too long under a cloud of depression and loss. The four light colored16 by 20 inch lithograph limestones are from the famous German quarry of Solnhofen. I have a small piece of lithographic quality limestone from the old quarry in north central Iowa, Lithographic City near the town of Orchard. Look closely and you can see a dark gray smaller stone likely from Germany as well and a larger white marble stone mounted on slate. The four stones are named “Forty, MW, OZ and UK.” I took 40 out today and started work on it.
The working image on the stone looks good, a 12 by 12 inch tusche wash intended for the ONE Pixel edition. I washed it out with lithotine and then rubbed it up in asphultum. I’m not sure yet if I’ll print it or levigate it off and start over. Moving the stone was not so easy. Last worked in 2007 for edition #74 it now seems considerably heavier! But stones should move and today they did. I no longer hold Hope that my maps and prints will find acceptance and be purchased in this mapping world of commerce and digital high-definition realism. I’ve more or less given up. The part of me that has yet to give up is Depressed about this and the loss I experience of having no standing or presence; the unwanted and invisible nature of my work. RESOLVE to act lifts the stone from the shelf and sets it in motion. All things are in motion. Always.
“Unpopular ideas can be silenced, and inconvenient facts kept dark, without the need for any official ban. Anyone who has lived long in a foreign country will know of instances of sensational items of news — things which on their own merits would get the big headlines — being kept right out of the … press, not because the Government intervened but because of a general tacit agreement that ‘it wouldn’t do’ to mention that particular fact. So far as the daily newspapers go, this is easy to understand. The … press is extremely centralized, and most of it is owned by wealthy men who have every motive to be dishonest on certain important topics. But the same kind of veiled censorship also operates in books and periodicals, as well as in plays, films and radio. At any given moment there is an orthodoxy, a body of ideas which it is assumed that all right-thinking people will accept without question. It is not exactly forbidden to say this, that or the other, but it is ‘not done’ to say it …. Anyone who challenges the prevailing orthodoxy finds himself silenced with surprising effectiveness. A genuinely unfashionable opinion is almost never given a fair hearing, either in the popular press or in the highbrow periodicals.” :: George Orwell Animal Farm
Section Without Water : Stone Lithograph on Sakamoto Kozo, Edition of 20 E/V
“If you want a golden rule that will fit everything, this is it: Have nothing in your houses that you do not know to be useful or believe to be beautiful.”
“Apart from the desire to produce beautiful things, the leading passion of my life has been and is hatred of modern civilization.”
William Morris :: English architect, artist, writer, and socialist with the English Arts and Crafts Movement. He wrote and published poetry, fiction, and translations. Morris devoted much of his life to the Kelmscott Press. His 1896 edition of the Works of Geoffrey Chaucer is considered a masterpiece.
Found & washed stone, carefully painted and wrapped . . . door stop.
RESOLVE is a 6 by 9 in. letterpress card on heavy Flurry card stock. The two colour transparent base used BLOX modular type. In three matrices and a small edition of just 20. Available in the toMake™ store.
We The People Means All of Us and that Includes . . . the Water People, the Sky People, the Fire People . . . All of Us Together
Opps . . . wrong Aisle, No People Here
Between Hope and Despair . . . RESOLVE
The Buddha in the Backyard
Watches the Dance of Spring
Looking Down I Keep on Walking
Remembering . . . Back to What I Can Do
Ink on the Press :: a Transparent Green on Flurry Cover Stock
Feet Touching Feet Dancing
The Flowering Apple Tree
My sister Ann would have been 68 today
The Apple Tree Lives Again
We Pick Up Our Spring CSA Market Share
RESOLVE :: A Work in Progress
“Fifty years ago today, 28 soldiers opened fire on anti-Vietnam war demonstrators, letting loose 67 bullets in just 13 seconds. Four students were killed, nine wounded, and a fissure exposed in American society that shaped politics into the Trump era.”
We’ve been in the news and on the streets the past few weeks.
The ever newsworthy bulletin board in the alleyway at toMake™
. . . and making national headlines :: ‘A Bomb in the Center of the Climate Movement’
Bill McKibben quoting from an email Judith wrote to him and appearing as headline and within the article in Rolling Stone
“I don’t think most people are that mean-spirited (or maybe I just hope not) and of course dozens of friends within the climate movement wrote to express their solidarity and love. But I have no doubt that many of the people who’ve seen the film are, at the least, disheartened. Here’s what one hard-working climate activist wrote me from Montana: “The problem is, this movie is all over the place and is already causing divisions and conflicts in climate action groups that I’m involved in — it’s like they detonated a bomb in the center of the climate action movement.” Which I’m sure is true (and I’m sure it’s why the film has been so well-received at Breitbart and every other climate-denier operation on the planet).”
Ink draws for an edition