Thursday 25 : May Filed in: toMAKE™
I find, after all these years, I am a believer—
I believe what the thunder and lightning have to say;
I believe that dreams are real,
and that death has two reprisals;
I believe that dead leaves and black water fill my heart.
I shall die like a cloud, beautiful, white, full of nothingness.
The night sky is an ideogram,
a code card punched with holes.
It thinks it’s the word of what’s-to-come.
It thinks this, but it’s only The Library of Last Resort,
The reflected light of The Great Misunderstanding.
God is the fire my feet are held to.
by Charles Wright
Edition #109 Generosity relief block proof on Kozo with flocking.
Edition #109 Generosity relief block proof on Kozo printed in varnish on draft of print.
Sunday 02 : April Filed in: toMAKE™
Here is a proof of the print “River Form” without the collage paper(s). I am still considering a delicate lithograph layer under or within the river form that details the rivers Clark Fork and Bitterroot coming together west of Missoula. The pinkish tint is due to the indoor lighting, but you can see the effect of the varnish tint without pigment, with the gold flocking of the golden mean, and the black outer border.
“When people are ready to, they change. They never do it before then… You can’t make them change if they don’t want to.” Andy Warhol
Thursday 30 : March Filed in: toMAKE™
Work on the ‘River Form’ print continues. It’s a large matrix and takes some time to proof and develop. I am considering a lithograph layer using a water tusche that will show through the varnish of the river form and tint the piece. Although the print right now utilizes only one (relief) matrix, the matrix was inked in two colors and gold flocked (on the golden rectangle) thus the appearance of three separate colors. The green tint comes from a sheet of green Kozo placed beneath the proof (showing stronger beneath the transparent litho varnish), and the water forms on the right side from another sheet, again placed beneath the proof. Both of these sheets are to visualize how might the lithograph tusche develop the edition. I’m thinking of “YA) the river” but that can wait.