Thursday 25 : May Filed in: toMAKE™
I find, after all these years, I am a believer—
I believe what the thunder and lightning have to say;
I believe that dreams are real,
and that death has two reprisals;
I believe that dead leaves and black water fill my heart.
I shall die like a cloud, beautiful, white, full of nothingness.
The night sky is an ideogram,
a code card punched with holes.
It thinks it’s the word of what’s-to-come.
It thinks this, but it’s only The Library of Last Resort,
The reflected light of The Great Misunderstanding.
God is the fire my feet are held to.
by Charles Wright
Edition #109 Generosity relief block proof on Kozo with flocking.
Edition #109 Generosity relief block proof on Kozo printed in varnish on draft of print.
Thursday 11 : May Filed in: toMAKE™
I used #4 and #5 Korns crayons to draw the shimenawa on the aluminum plate matrix. I under etched the crayon drawing using just gum but did put TAPEM on the non-image areas. After an initial rollup, hopefully successful, I’ll re-etch the plate with a stronger etch.
Wednesday 10 : May Filed in: toMAKE™
You might conclude that my “maps” are fictional imaginings or inaccurate by today’s mapping paradigm standards … but this is not at all true. I spend a good amount of time to insure that they are topologically accurate. Not only are they responses to real places where I have stop’d to see and to experience but I also consult other materials both historic and current. In the case of the current edition all the passes that I can identify as supporting human crossings are marked in their respective topologically correct location. The matrix that depicts the shimenawa wrapping of sacred space also indicates a correct topology of the access corridors into and out of the space. It is likely that this is why so few people understand what I am doing when I construct a mapping response to a place. The response is not a typical map in the modern sense of the term. Below is the mylar draft showing the shimenawa and access points. This process of making a response takes time, care, and, I believe, is an original map making (a rejection of modern gis-gps-cartography).
Shimenawa :: the wrapping of sacred space. Mylar draft for the edition #109 ‘Generosity.’
Saturday 06 : May Filed in: toMAKE™ | Personal
I read somewhere that Calder worked every day in his studio. I wish I could say the same. Somedays I suffer such depression it is difficult … everything is difficult. I thought today that I would see the ‘divide litho’ run completed on the ‘Generosity’ print but I was slowed by a scumming plate and I stopped the run to re-etch the open areas. The first print went fine, just the plate scumming during subsequent inking.
So I proceeded with the layout for my initial idea of a shimenawa; used to indicate a boundary to something sacred, thus there be a sacred space called Glacier-Waterton International Peace Park! This is indicated in a stylized manner on the companion print ‘The Way Across’.
There are places, like this, that must be wrapped by shimenawa. We are such a selfish species. In her “Memorandum to the Animals” Amy Leach says “If you are concerned about the devastation of your genetic type and you do not see your name on the Keep-Alive List, you might think about clumping some vegetation together into rafts on which to rescue yourselves… Anyway, we need the space for our works and wonders. Many of you are being superannuated because we must give priority to our machinery, our televisions and computers and refrigerators and cars, trucks, airplanes, combination microwave/convection ovens with auto-time zone adjusters. We will still bring a few of you with us, especially those of you with rumps and ribs (please refer to the Keep-Alive List). But we are not going to waste time holloing for the bush babies, waiting for the mayflies to drift in and the kiwis to materialize. We are certainly not going to stand around until the tortoises figure out what’s going on.”
Friday 05 : May Filed in: toMAKE™
I spent some effort today mixing the ink for the continental divides matrix (I transferred the relief print onto a litho plate) on the ‘Generosity’ edition. I had anticipated flocking the wet ink but decided instead to use of stiff black, Graphic Chemical Crayon Black, mixed with Litho Varnish #5 and Hanco Master Palette Fire Red. I’ve got to stop this seemingly endless matrix making. Now I want to add a border to the edition as I am not using the ‘The Way Across’ border on this print. You can see the ink draw on the lower right on the mock-up below.
“It is not down in any map; true places never are.” Herman Melville | Moby Dick
Thursday 04 : May Filed in: toMAKE™ | Personal
Warm weather and working on several editions right now both maps and prints. I hope to get a complete font of lead type for the letterpress someday. It would be nice to start on the book of birthday poems book. I’ve yet to come up with the plan for the illustrations. A series of block prints would work well with the poems; maybe one each decade 20s 30s 40s 50s 60s … Meena the Cat and I have been spending together time. Aside from the head bumping, nibbling and kissing that happens around 5AM we are having a good time together. She stays close by. In 1970 I was nearby the Kent State Massacre; 13 seconds and four students murdered (Agnew’s words). This present moment changed it all for me.
May 4th 1970, The Kent State Massacre
An emotional Governor Rhodes, yelling and pounding his fists on his desk called the student protesters un-American, referring to them as revolutionaries ”…They're the worst type of people that we harbor in America. Now I want to say this. They are not going to take over [the] campus. I think that we're up against the strongest, well-trained, militant, revolutionary group that has ever assembled in America…..” and then the Kent State massacre … the shootings of unarmed college students protesting the Vietnam War at Kent State University in Kent, Ohio …The shootings were ordered by members of the Ohio National Guard on May 4, 1970, agitated by an undercover FBI agent. Twenty-nine guardsmen fired approximately 67 rounds over a period of 13 seconds, killing four students and wounding nine others, one of whom suffered permanent paralysis.
Sunday 02 : April Filed in: toMAKE™
Here is a proof of the print “River Form” without the collage paper(s). I am still considering a delicate lithograph layer under or within the river form that details the rivers Clark Fork and Bitterroot coming together west of Missoula. The pinkish tint is due to the indoor lighting, but you can see the effect of the varnish tint without pigment, with the gold flocking of the golden mean, and the black outer border.
“When people are ready to, they change. They never do it before then… You can’t make them change if they don’t want to.” Andy Warhol
Tuesday 28 : March Filed in: toMAKE™
“River Form” is a large relief matrix that I’ve yet to edition. Cut from Sentra a decade ago it depicts the Clark Fork meanders on Kelly Island west of Missoula, Mont. embedded in the ‘golden mean’ and irreverent property ownership. What remains of a place when it is defined by place names of dead white Europeans who never set foot, by pavement covering the soft earth underfoot, by lawns of strange grasses infested with poisons, by houses made from plastics and set on rectangular grids imposed on the land and fenced with signs saying PRIVATE … ? Ink selection trials, litho varnish, gold flocking and black, on Kozo and chine-collé. I have no love for the destruction currently being wrought of this beautiful earth. The earth is not private … we all drink the same water.
“Water is good, so is thirst; … shadow is good, so is sun; … the honey from the rosemarys … and the honey of the bare fields.” Antonio Machado
Tuesday 21 : March Filed in: toMAKE™
The Parsonage, I am told on authority, has been experiencing an unusual amount of flooding in the basement. The Colville River (and the Chewelah Creek system), more or less a drainage ditch on behalf of the valley wheat farmers, is quite high. Water is really an amazing force; THE element that gets larger when colder. Think about this little detail for a minute. This expanding and contracting accounts for much of the dynamic forces that shape the planet, crushing rocks. One night when, as building and grounds manager in a Catskill resort, as a winter flooding was coming down the Panther Kill I was awoken by a deep low sound I’d never heard before. In the morning I discovered that massive boulders, some 20 and more feet tall, had been carried down the creek in the flooding. Well, water changes things. The basement flood at the Parsonage in Chewelah reminds me of the Derby Street community that sits atop a buried east bay creek in Berkeley. High waters bring flooding to their basements as well. Derby Street II Waters Beneath, a multi-matrix lithograph, is a response to the waters in motion beneath us.